APTCCARN 6 PROGRAM OVERVIEW

3, 4, 5 July 2023 in Bali, Indonesia

Click here for the Program Booklet

Monday, 3 July - Ubud, Bali

Heritage sites, intangible and tangible art collections, and governance at Bali Cultural Preservation Office, Blahbatuh, Gianyar

    • Bali Cultural Preservation Office, Blahbatuh

      How tangible and intangible heritage are managed in the region

    • Dr. Nicole Tse, Co-founder of APTCCARN

      Collection care and conservation in the tropics & how ecologies of knowledge have been shaped through the decade

    • Saiful Bakhri, Lia Sumichan, Laila Nurul Fitrani, Gadis Fitriana, Co-founders of Institut Konservasi

      Conservation projects and organisational goals

  • Gedong Arca Archaeological Museum

    Gedong Arca Archaeological Museum is one of the earliest archaeology museums established by the Archaeology Office of Indonesia. The objects range from prehistoric to the Indonesian classics (8th-15th Century).

World heritage site & traditional Balinese art

to Tampaksiring Presidential Palace & Tirta Empul Temple

  • Tampaksiring Presidential Palace & Tirta Empul Temple

    Place-based knowledge of collection care and the inseparable relationship between intangible and tangible heritage for collections and sites

    Two places in this site visit: Tampaksiring Presidential Palace, one of the five presidential palaces in Indonesia and Tirta Empul Temple, one of the five cultural world heritage sites in Indonesia and part of the Tri Hita Karana World Cultural Heritage. As we explore these sites, the caretakers of the Tampaksiring Presidential Palace and the Holy Springs will guide us and explain their roles.

Dinner reception at Museum Puri Lukisan

 

Tuesday, 4 July - Denpasar, Bali

Traditional and contemporary Balinese art and cultural heritage at Museum Puri Lukisan, Ubud, Bali

  • • Ade Alamando Harnanto, UP Museum Kebaharian Jakarta, Indonesia

    Museum Kebaharian Jakarta and Indonesia Hidden Heritage Creative Hub

    • Anne Carter, Paintings Conservator, Queensland Art Gallery | Gallery of Modern Art, Australia

    Conservation of Affandi 'Self Portrait in Kusamba Beach', oil on canvas, 1983

    • Dr Sutinee Girdthep, Assistant Professor, Department of Chemistry, Faculty of Science, Silpakorn University, Thailand

    Study of Natural Binders for the Conservation of Traditional Thai Paintings

    • Dr Jitnapa Sirirak, Lecturer, Department of Chemistry, Faculty of Science, Silpakorn University, Thailand

    Preparation of Natural Lake Pigments from Sappanwood using Various Adsorbents

  • • Eliza O’Donnell, PhD candidate, The Grimwade Centre for Cultural Materials Conservation, University of Melbourne, Australia

    Harder to Copy: A.D Pirous’ materials-based approach to countering painting forgery

    • Sandra Yee, Conservator, Museum and Art Gallery of the Northern Territory, Australia

    Working Towards the Sustainable Care of Cultural Collections in a Remote Tropical Location of Australia

    • Yuting Huang, Cheng Shiu University Conservation Center, Taiwan

    The Impact of High Temperature, Humidity and Contact Materials on Chinese Painting Artworks: A Case Study of a Silk-based Calligraphy Work

Bus transfer from Ubud to Denpasar with your luggage (including lunch)

Traditional meets modern and tourism for sustainable cultures

at CushCush Gallery, Denpasar, Bali 

  • Suriawati Qiu

    Traditional Balinese art making: the materiality of art forms, and how tradition and modern art forms intersect

  • Hands-on workshop: the making of natural colors from local sources and ecologies

 

Wednesday, 5 July - Denpasar, Bali

Local initiatives in collecting and conserving material culture from the Asia Pacific at Museum Pasifika, Nusa Dua, Bali

  • Museum Pasifika

    The value and role of museums as a Balinese institution, how colonialism influenced and shaped the arts and cultural industry in Indonesia and how decision-making is practiced in today’s context

    The first session will be a collection tour around Museum Pasifika.

  • Susanne Erhards, Paintings & Objects Conservator

Living heritage and continuity at Museum Saka, Ayana Estate, Jimbaran, Bali

  • Museum Saka

    A new museum established within the Ayana Estate. Topic will revolve around the important role of the museum in the community, their efforts in ensuring the continuation of living heritage and the museum’s long term vision, i.e. why collecting and preserving.

  • • Alvita Chen, Associate Director, Museum Saka

    Why collecting: The museum’s long term vision despite the Ayana Estate’s success in the tourism industry

    • Dr Ana Maria Theresa P. Labrador, Honorary Senior Fellow, University of Melbourne, Australia

    The New Museum Definition and its Implication to Conservation in the Asia Pacific Region: Creativity, Decision-making and Moving Forward after the Pandemic

  • • Christine Ianna, Member of the AICCM, Australia

    An Australian Museum and Historical Society's Rain and Flood Experience from 2022

    Komang Adiartha, Product Designer, Founder of Kulidan Kitchen & Space, Indonesia

    From Conservation to Commodification of Balinese Ornaments

    Kiki Rizky Soetisna Putri, Lecturer, Faculty of Art and Design, Bandung Institute of Technology, Indonesia

    CIVAS ITB: Nurturing Collective Ecologies and Amplifying Knowledge in Institut Teknologi Bandung Collection Care

    Tan Hui Koon, Curator, Balai Seni Negara, Malaysia

    Collector's Storage

  • APTCCARN 6 closing ceremony

Closing dinner at Museum Saka, Ayana Estate, Jimbaran, Bali

 

Click here for a map view of meeting venues & some accommodation options but there are many others.

Participants to arrange accommodation: Ubud (2 & 3 July), Denpasar (4 & 5 July).